I want to discuss a technique that appears to be fairly simple, yet can lead to frustration. The basic concept is to create a mix that allows you to hear everything you see on stage. The concept is simple enough- Look at each input on your console and ask yourself if you can hear it in the mix. If the answer is ‘yes,’ then move on to the next channel. If the answer is ‘no,’ then the fun begins! Rather than just push the fader up until you can hear that specific input, I’d quickly ask yourself a few questions to help you determine how to best address the issue.

What is the role of this input? If it’s not a main instrument (your worship leader’s acoustic guitar), then perhaps it doesn’t need to be loud. A great example is a keyboard playing some ethereal string/organ/ocean sound. Sometimes those sounds may not be obvious in your mix, but if you pull the fader down, you will definitely notice something changed. In this case, consider that input like a putty that is filling in the holes and keeping the mix together. There’s no need to increase the volume.

If the input is more of an accent instrument, such as a guitar playing picked notes instead of strummed chords, then increasing the volume may help, but there might be a better option first. There are a couple things you can do to give this input more space in your mix. If your mix is in stereo, pan it 25% to 75% either way. This will get it out of the crowded center space. Also try boosting your hi-mid EQ and sweeping the frequency until you find the best setting to accent the input. If the input has FX on it, try taking some off so the natural sound comes through more.

Hopefully your focal inputs (lead singer, main / driving instrument(s), etc.) are loud enough in your mix from the beginning. Those should be your first priority. If those aren’t audible, uh, then we have bigger issues to discuss. For the main inputs, push the volume up first to make sure the congregation can hear them, then focus on tone quality. The congregation will rely on these instruments and voices to lead them in worship. You should figure levels out in the sound check, but let’s face it, the sound check is not as accurate as the real deal… that is if you even get one!

Ultimately, try to give each input its own space. The bass guitar, keys and rhythm guitars should be the bigger sounding inputs while the drums poke through with their attack and warmth. Let the main instruments and vocals sit on top of that layer you’ve created. Of course, it’s all up to interpretation, so ask those you trust, walk around your room, and constantly be critiquing and improving.