If you’re a sports fan, one scenario that can be fun to discuss is, “If you were starting a new [insert sport] team, who would be the first player on your roster?”

In other words, what would be the most critical piece of the team or system that you would build the rest around? In audio, this happens sometimes even without knowing it. You might be starting a building project, or be getting ready for some upgrades or remodeling, etc. Soon you start surfing the net, looking at catalogs, reading reviews, putting together the new dream sound system. Then, the reality of the budget sets in, and you start making cuts. What’s the one thing that you determine you are set on and will build the rest of the audio system around?

So far this year I’ve been to a few church services that are more traditional- piano, organ, choir, hymnals, etc. In a way, it’s been a little nostalgic for me, as I grew up in small churches that only sang hymns with piano accompaniment. It occurred to me how a lot of traditional churches on the surface appear to not suffer from the frustrations of audio problems because they aren’t trying to amplify drums, electric guitars, etherial keyboards, pop-style vocals, etc. The reality though is that there are still issues that need addressed and sometimes, the simplicity of the mix can make problems even more noticeable.

I love electronic gadgets! I have always had pocket pc phones, gps units, and I love my iPhone. My wife, however, always buys these kitchen gadgets. The irony in that is that I’m the one that cooks (and she cleans- it’s a good system).

Too often, the magic slicing and dicing gadget that costs as much as eating dinner out, is a disappointment to me. I’m no master chef. I’m not above being lazy sometimes. The honest truth is though, that most of the time, a good trusty knife does just as good and usually a much better job than the newest gadget. So what if the gadget is quicker if you are not happy with the results? Also, gadgets tend to be a pain to clean up!

So, you’re wondering what this has to do with your Sunday audio set up, aren’t you? Well, read on…

I want to discuss a technique that appears to be fairly simple, yet can lead to frustration. The basic concept is to create a mix that allows you to hear everything you see on stage. The concept is simple enough- Look at each input on your console and ask yourself if you can hear it in the mix. If the answer is ‘yes,’ then move on to the next channel. If the answer is ‘no,’ then the fun begins! Rather than just push the fader up until you can hear that specific input, I’d quickly ask yourself a few questions to help you determine how to best address the issue.

Have you ever experienced this? As soon as the band starts playing on some random Sunday morning, a concerned member of the congregation makes a bee-line for the sound booth, and you can tell by the look in their eyes, they are not happy. You quickly critique your mix trying to figure out what they are probably going to say. You think to yourself, “Can I hear the vocals?” and “Are the drums overpowering?” As soon as you start trying to zero in what your mix sounds like, the person arrives and demands your attention be pulled away from the audio! You don’t want to be rude, but you are doing a job and need to devote your attention to the band. 9 times out of 10, the complaint is always the same thing…