A common technique I see in churches, especially ones on a tight budget, is the use of a compressor on a subgroup. The thinking is that rather than having to purchase 4, 6, or 8 channels of compression, the user will just get a 2-channel unit, insert it into a subgroup, and then whenever something needs compressed, they will route it through that subgroup instead of straight to the master output of the console.

Ideally, if something needs compressed, you should insert your compressor into that input’s channel directly. By routing everything through a subgroup, the compressor can have some ill affects on your mix, and you may be adding more frustrations than your solving.

Monitors are one of the most common battle grounds where band and engineer face off and play tug of war week after week after week. Too commonly the band needs to hear more of themselves, and the engineer needs to hear less of the stage noise. To the musician who only plays Sunday mornings, the ideal monitor mix sounds much like the worship CD he or she listened to on the way to church. Professional musicians know, however, that a good monitor mix has a specific goal.

No. No. No. I didn’t run sound for the iconic rock band who may or may not be knights in satan’s service. Oh no- I’m already off topic.

This blog post is going to be about one of my rules for running sound: KEEP IT SIMPLE STUPID. Me. I’m the stupid one. Not you. OK? Don’t get offended.

The other night I got to use the Yamaha M7 digital console, which has tons of available plug-in, EQs, compressors, gates, FX, blah, blah and really cool blah… Instead of a standard FOH package with 8 comps, I could, if I wanted, put a compressor on every channel!

I just got done posting 3 sections of audio files in a new “Download” section. Before making my own files, I researched the web for a product out there that provided these type of tracks. I found none. The 1 product I did find was $80 plus shipping from the UK, and it was produced in a recording studio! My files are NOT produced, and it’s on purpose.

There are 2 schools of thought when it comes to vocals in a mix. I’m speaking specifically about music at a live church worship service. This is not about the recording studio, CD recordings, ‘concerts’ at church, or anything else. At the last church I did a training seminar for, I heard arguments for both thoughts. The first is that the vocals are the most important part because they deliver the words of the song, and therefore need to be louder than everything else and the singer should be understandable to the congregation. Another thought is that the vocalists should not be ‘performing’ as if a concert at church, and their microphones should be buried in the mix a bit. The most common opinion I’ve heard is…