I want to discuss a technique that appears to be fairly simple, yet can lead to frustration. The basic concept is to create a mix that allows you to hear everything you see on stage. The concept is simple enough- Look at each input on your console and ask yourself if you can hear it in the mix. If the answer is ‘yes,’ then move on to the next channel. If the answer is ‘no,’ then the fun begins! Rather than just push the fader up until you can hear that specific input, I’d quickly ask yourself a few questions to help you determine how to best address the issue.

I guess I’m lucky. My church has 2 services on Sunday morning, and the band shows up an hour early to do a full blown sound check. This morning I posted a pic and comment on my Twitter about sound checking, and I got a reply that there are churches out there that do NOT sound check. How is this possible? I mean, my church doesn’t even use monitors and we take an hour! Yep. You read that correctly. We go old-school. Southern gospel style! Our main speakers are on the back wall, so everyone on stage uses the house mix as their monitors. Do I recommend this? No way!

Last Saturday, I was again running sound for The Elms. Side note- they released a new record recently, and I highly recommend it. Funny enough, they have a song titled, “County Fair.” The show last Saturday was at the Dekalb County Fair, just north of Fort Wayne, IN. I’ll get to the audio production portion, but let me show you what it’s like to be on the road. Our Friday night show ended and we rolled out at about 1:00am and instead of getting a hotel, we drove 4 hours across the state in a van and trailer, which goes slower than in your car. When we arrived at the hotel at 5:00am, they of course couldn’t find our reservation! Don’t worry. Happens all the time. We’re used to it.

One of the most common comments I get sounds something similar to, “We got this great sound system, and at first it was an awesome improvement from our old system. Now, though, it just sounds bad. I’m not sure what else we need to do!”

On one hand, I feel for these churches. They are right. They did invest in a good-sounding system. They believe the problem though, is with their gear. I think the problem, which is not the best word to use, though, lies someone else.

Recently, I’ve been able to work a couple shows, and it has reminded me how much different the church world is from the ‘real’ world when it comes to audio and production. I’ve had a few thoughts stick in my mind that I want to share, and some insight I’d like to impart after a conversation or two with some production company owners, roadies, and musicians. The 1st lesson I want to share is one that I hadn’t planned on mentioning or focusing on when I started this blog. However, this aspect is one of the most important areas you can focus on to become the best possible audio engineer.